Nicolas Cage never met a movie whose scenery he couldn’t chew, and Renfield gives the star an ideal opportunity to sink his teeth into a truly juicy role: Dracula, the legendary bloodsucker who feeds on humans, lives forever, and is engaged in a perpetual war with the church.
Sporting a pasty complexion, slicked-back hair, and a variety of stylish suits (including one that’s luscious red velvet, and another with glittering black lapels) that go perfectly with his top hat and cane, his Count is a distinctly Cage-ian riff on Bela Lugosi—all heavily accented diabolical imperiousness and giggling, twittering, freakish affectation. He’s the prince of pretentious darkness, and the saving grace of this otherwise slapdash variation on the Bram Stoker legend.
Director Chris McKay’s follow-up to The Tomorrow War is ostensibly a horror-comedy, yet in one of many misbegotten decisions, Renfield places an inordinate amount of emphasis on R-rated supernatural action. Apparently, the director believes that staging gruesome one-against-many skirmishes will generate laughs so long as a few limbs are torn off and bodies are obliterated in explosions of blood.